Asian Traditional Orchestra in indonesia (Asean – Korea)
On Wednesday
6 November 2019, an event called "2019 Korean Festival in ASEAN - Asian
Traditional Orchestra Concert" was held at the Sarbini Hall in Jakarta,
this event was still in the series of the 2019 Korean Festival in Indonesia.
Korean
Festival is a series of arts and culture festivals that aim to introduce
various kinds of Korean culture and art abroad.
This
festival has been held by the Korea Foundation since 2012. In 2019, to
commemorate the 30th anniversary of the ASEAN-Korea dialogue relations, the
ASEAN region has been chosen to host the Korean Festival.
Programs
such as exhibitions, art shows, Korean culinary parties, film screenings, etc.
will be held in ASEAN countries such as Laos, Indonesia, Malaysia, Thailand and
Vietnam.
Through this
festival, Korea Foundation hopes to introduce various aspects of Korean culture
to the wider community and can promote more intensive cultural exchanges
between Korea and ASEAN countries.
In this Asia
orchestra concert event there were a lot of shows about music performances, and
those who attended the event were very many, the enthusiasm of the Indonesian
people was very happy with the holding of an event like this.
Asian
Traditional Orchestra, Asian Traditional Orchestra was established as one of
the results of the 2009 "Korea-ASEAN Special Summit" with the aim of
uniting Asia through music.
This
orchestra brings together musicians who play traditional musical instruments
from 11 countries namely Korea, Brunei Darussalam, Cambodia, Laos, Indonesia,
Malaysia, Myanmar, the Philippines, Singapore, Thailand and Vietnam. Every
year, around 40 seminars are chosen representing Korea and ASEAN countries to
share their musical inspiration through joint workshops and creating harmonious
masterpieces using traditional instruments.
1. "Lay
Ship" (composed by Bum-Hoon Park), "My beloved Mongryong"
(composed by Jae-Eun Lee)
The opening
section of the folk song "Lay the Ship" tells the story of a ship's
anchor. This story is a symbol of hope in Korean culture. The next part of this
song tells of a ship that continues to move forward splitting the turbulent
waves, displayed with a cheerful rhythm and an uproar. "My beloved
Mongryong" is a modern version of the pansori (Korean musical tale), Chunghyangga.
Then this tells the love story between Chunghyang and Mongryong sung in a
melodious voice to illustrate the passion of love between the two lovebirds.
2.
Shinmodeum (composed by Bum-Hoon Park)
"Shinmodeum"
is an art form of samulnori (traditional percussion music) and gugak
(traditional orchestral music). This work is an example of a harmonious blend
of dynamic samulnori and a rhythm-rich complex. This work consists of three
symphonic parts: "Aerial Use," "Beginning" and "Creation."
The last symphony becomes an important part because it displays the climax of
the rhythm of this musical instrument. After a gig, a samulnori will be
displayed where the gong player will change the rhythm to the end.
3. Yamko
Rambe Yamko-Janger (composed by Vonty Sitrona Nahan)
Yamko Rambe
Yamko-Janger is a medley of two traditional Indonesian songs: "Yamko Rambe
Yamko" and "Janger." "Yamko Rambe Yamko" from the land
of Papua, despite the dynamic rhythm, the lyrics tell the sadness of war. This
composition begins with percussion, gayageum, and flute, followed by songs and
is accompanied by all orchestral instruments
4. "One
Asia" (Composite sam-ang sam)
"One
Asia" is a reflection of the concepts of 'unity in diversity' and
'diversity in unity'. This work combines eleven short music phrases, each
representing ten ASEAN countries and Korea.
This song
was composed by Dr. Sam-ang sam, co-chair of the Asian Traditional Music
Representative Committee, using musical phrases from eleven composers
representing the ASEAN countries and Korea. Each of the eleven pieces of music
illustrates the nuances, aesthetics, and characteristics of each community
along with the asean and Korean cultures.









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